At the intersection of contemporary visual and auditory practices, his work manifests a low-key yet inescapable presence. Grounded in a stubborn commitment to self-driven innovation, rhythm within his practice is not merely a formal choice but a methodology for deconstructing and reconfiguring temporal experience.

His work draws inspiration from futuristic urban landscapes and retro-infused contexts, from the flickering glow of neon to the granular texture of magnetic tape, generating a liminal space between cold and warmth, future and memory. Here, the viewer is positioned within a temporal-displaced sensory theater, compelled to perceive how the textures of the past resonate with visions of the future.

This practice does not merely gesture toward nostalgia or avant-garde aesthetics. It seeks to fold urban, technological, and individual narratives into an open perceptual apparatus. Each piece functions as a re-encoding of memory archives, a provocative inquiry into the coexistence of the present and the future.